Ah ha, I thought, it's about time I branched out and into a new sphere of creativity and making things. I know, I'll try resin jewellery. After all, M. made the most wonderful resin necklaces when she tried it last summer and it didn't look that difficult.
So I booked my place on a course at West Dean with the brilliant Kathie Murphy who is one of the UK's leading makers of very (deceptively, as I now know) simple, sculptural resin jewellery. West Dean is a wonderful place to learn; it's like being at a sort of eccentric, creative weekend house party in amazing surroundings (just as the former owner Edward James would want - I saw Cecil Beaton and Rex Whistler's signatures in the guest book - they were there in 1933).
I'd thought I could handle something messy, sticky, smelly and toxic (the resin, the catalyst, the fumes that result in their mixing, plus the strange rubbers and gels used to make moulds), but it turns out I am strictly a soft, clean, dry textile girl. I also got a shock when I realised at the last minute that the course was all about 'wearable sculpture'; I'd missed the 'sculpture' bit on first reading and I discovered to my chagrin that I do not have a sculptural bone in my body. So whenI wasn't reeling from the toxic smells and the discomfort of wearing a mask and latex gloves, I was feeling horribly two-dimensional and flat.
But I managed to mix some pretty colours and set some tiny model figures in clear resin using an ice-cube tray. And the toxic shock taught me lots: that I can't think upside down, back to front and inside out, that I don't like wet and dry papering to make resin smooth, that I am terrified of taking the ends off my fingers with scalpels, that Kathie's work is remarkable in its sculptural beauty, concept, colour, finish and detail. And that I'll be buying resin jewellery from now on.